This microphone "obviously" sounds amazing on microphone, but have you tried it on other sources?!
DPA 4055 Large Diaphragm Condensor Microphone
Directional pattern: Open Cardioid
Principle of operation: Pressure gradient
Cartridge type: Pre-polarized condenser
Frequency response: 20 Hz - 20 kHz
Effective frequency range ±2 dB, at 20 cm (7.9 in): 40 Hz - 18 kHz with a 6 dB soft boost at 10 kHz
Sensitivity, nominal, ±2 dB at 1 kHz: 2 mV/Pa; -54 dB re. 1 V/Pa
Equivalent noise level, A-weighted: Typ. 27 dB(A) re. 20 µPa (max. 29 dB(A))
Equivalent noise level, ITU-R BS.468-4: Typ. 39 dB (max. 41 dB)
Distortion, THD < 1%: 56dB SPL RMS, 159 dB SPL peak
Dynamic range: Typ. 132 dB
Max. SPL, THD 10%: 164 dB SPL peak
Rated output impedance: 380 Ω
Minimum load impedance: 2 kΩ
Cable drive capability: 100 m (328 ft)
Common mode rejection ratio (CMRR): > 55 dB
Power supply (for full performance): P48 (Phantom Power)
This is quite an unusual microphone in that it sounds very "plain". It is very stable, well behaved if you will, and brings a new poise to the often exadurated kick drum channel. With no real built in frequency emphasis, as the engineer you are free to shape the sound how you like, that may be a heavily emphasised pop kick or a smooth, rounded jazz hit, this microphone really does open new doors. Want to have a listen? give us a call!